Arts & Entertainment
Laughs, Unscripted
It’s Sunday night in New York City and the line of new recruits for the Upright Citizens Brigade (UCB) stretches BY HEATHER JOHNSON Iaround the block. Many have been in line for hours, afraid to budge lest they lose access to ASSSSCAT, the improvi- sational comedy group’s Sunday night spectacular. The show would be popular for its cheap—and sometimes free—
admission alone, but it also features
regular impromptu visits from stars such
as UCB troupe cofounder Amy Poehler
and Saturday Night Live cast member
Seth Meyers. Tonight will be no exception. Moments after our descent into the
underground, black box theater, Poehler
emerges with Meyers, 30 Rock’s Jack
McBrayer and John Lutz, and former
SNL cast member Horatio Sanz. The
show is a magical blur—fast, funny, full
Forget stand-up,
sketch and sitcoms,
improv is the king of
comedy
The Upright Citizens Brigade founders:
(left to right): Ian Roberts, Amy Poehler,
Matt Besser and Matt Walsh.
of audience participation and gone in the
blink of an eye.
In a world where almost anything
people are talking about can be accessed
on the Internet, improv comedy may be
one of the last truly immediate forms
of entertainment.
“There’s no other art form that gives
an audience this kind of experience,”
says Anthony King, UCB’s artistic director. “You’re seeing a show that will never
be performed again, so if you’re not there,
you’ve missed it.”
Audiences also enjoy playing a part in
the action.
“The audience is actually affecting
the way the shows move forward in a way
that just doesn’t happen with anything
scripted,” King says.
Immediacy ... interactivity ... could
anything make the improv experience
sweeter, you ask? How about this: It’s