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The exhibition is supported by an indemnity from the Federal Council on
the Arts and the Humanities. Additional support is provided by Mrs. Louis
C. Madeira IV, The Margaret A. Cargill Foundation, The Pew Charitable
Trusts, The Annenberg Foundation Fund for Exhibitions, The Robert
Montgomery Scott Fund for Exhibitions, The Kathleen C. and John J.
F. Sherrerd Fund for Exhibitions, The Arcadia Foundation, Dennis Alter,
Barbara B. and Theodore R. Aronson, and other generous individuals.
Where Do We Come From? What Are We? Where Are We Going? (detail),
1897–98, Paul Gauguin, Museum of Fine Arts, Boston; The Large
Bathers, 1906, Paul Cézanne, Philadelphia Museum of Art; Bathers by a
River, 1909, 1913, and 1916, Henri Matisse, Art Institute of Chicago.
12 ;rrıve • July/August 2012 • ;;;;;;;;;;;;;;.;;; PMA-0041-Arcadia_ArriveMagazine_2.25x9.5_July_v3.indd 1 5/30/12 2: 19 PM
CONTRIBUTORS
David A. Keeps is a Los
Angeles-based correspondent to Travel + Leisure,
House Beautiful and InStyle.
He can be seen as the host
of Art & the City and The
Scenic Route on Ovation
TV. For this issue of Arrive,
he wrote the cover story on
Rashida Jones (page 58).
Gina Triplett and Matt
Curtius met while attending
the Maryland Institute College
of Art, where she studied
illustration and he studied fine
art. Today, their work draws
upon these backgrounds as
they bring a personal and
expressive perspective to
their work for clients. Some
of their clientele includes
Entertainment Weekly, The Los
Angeles Times, The New York
Times, Rolling Stone and Time.
April Hardwick is a New York
City-based freelance writer and
market editor who has contributed to Real Simple, Better
Homes & Gardens, Harper’s
Bazaar and The Wall Street
Journal. For this issue, she interviewed Liya Kebede in Final
Stop. “I was moved and inspired
by Liya’s commitment to so
many important causes, and I
hope others will be too!”
David Sokol specializes in
architecture and design. He
has contributed to Details, Elle
Decor and The Wall Street
Journal, and covered shopping
for Cookie and Domino. “
Spotlighting a retail neighborhood
is like writing a mini-stimulus
act,” he says of his piece on
Old City Philadelphia. “It’s a
privilege to draw people’s
attention to the businesses
that add texture and activity to
local street life and shape the
identity of the bigger city.”
