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Rhode Island ♥s Underdog
RICHARDMCCAFFREY.COM
extensively there.
“That’s me just thinking
up ways to make them feel like they’re
part of our neighborhood,” says Fein-
berg of his red-carpet treatment. “That’s
how I perceive Rhode Island, and I try to
pass that along.”
He even managed to get the support and cooperation of the notoriously uncooperative teamsters union,
which handles all transportation on film
shoots. The fact that many teamsters
have worked more in the past two and
a half years than they had in the past 10
certainly must have helped. After taking
on the role at the Film and Television
Office, one of the first things Feinberg
did was ask Teamsters Local 251 Principal Executive Stuart Mundy to write to
Hollywood’s studios letting them know
Rhode Island was a film-friendly state.
“I’ve given [filmmakers] an open-door policy that they can come to me
with anything,” says Mundy, who adds
that not one grievance with the union
has been filed since Rhode Island started
the incentive program. “I’ve developed
a pretty good relationship with Warner
Brothers,” he says, sounding like a Hollywood insider. “I even talked to them
about looking at Rhode Island for
other projects.”
BRING ON THE FILM SQUAD
Although filming has taken place throughout the Ocean State, Providence has been
inundated with so many films of late that
Mayor Cicilline created a Film Squad to
coordinate permits, road closures and
other assistance for filmmakers. He even
vacates his own office occasionally for
crews who want to film there. His cooperation netted him a nice perk—he had
speaking parts in episodes of Brotherhood
and Waterfront, and he recently got his
Screen Actors Guild card.
Cicilline makes sure, though, to warn
filmmakers not to get too used to all the
hospitality in Providence.
“We’ve really worked hard to be really
accommodating, so in addition to having
economic value of coming to Providence,
the word is out that the town rolls out the
red carpet,” says Cicilline. “I’m always
joking with the film people. I say, ‘Enjoy
it while it lasts because in 20 years, when
it’s not such a new industry, we won’t be so
terrific.’ People will be like ‘again?’”
That’s a day that Feinberg would be
thrilled to see. Maybe then he could take a
real vacation.
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